“Does she know about Richmond Park—and the other places?” asked Flossie. Mrs. Phillips acquiesced. “It’s turning me into a lazy-bones,” she said with a smile. “I can sit here by the hour, just watching the bustle. I was always one for a bit of life.”!

She glanced through the open door to where the poor, broken fellows she always thought of as “her boys” lay so patient, and then held out her hand to him with a smile, though the tears were in her eyes. “Yes,” she answered. “Will you be coming alone?”

“Do,” said Joan, speaking earnestly. “I shall be so very pleased if you will.” A pile of correspondence was awaiting her and, standing by the desk, she began to open and read it. Suddenly she paused, conscious that someone had entered the room and, turning, she saw Hilda. She must have left the door ajar, for she had heard no sound. The child closed the door noiselessly and came across, holding out a letter. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.